David Gans - Joined by Pearly Baker's Best

Meet & Greet with David Gans followed by a night of Grateful Dead favorites!

David Gans - Joined by Pearly Baker's Best

Pearly Baker's Best

Wed · August 2, 2017

Doors: 7:30 pm / Show: 8:00 pm (event ends at 11:00 pm)

$10.00

Tickets at the Door

David Gans
David Gans
Perhaps the foremost interpreter of Grateful Dead music today and an accomplished guitarist, singer and songwriter in his own right, David Gans has now shared with us his own well-crafted and heartfelt interpretations of some of the Grateful Dead’s best songs on It’s a Hand- Me-Down, released November 27th, 2015 on his Perfectible Recordings label.
Gans approaches Grateful Dead music with a unique range and a rare degree of mastery on multiple levels: as a noted writer (his most recent volume, This Is All a Dream We Dreamed: An Oral History of the Grateful Dead [Nov 2015], co-authored with Blair Jackson, presents the definitive story of the Grateful Dead in their own words), commentator, and radio-show host he has introduced, contextualized, and exposed Grateful Dead music to generations of Deadheads and casual fans. As a musician, singer, and impresario he has brought the music to life in solo and ensemble configurations. As an interviewer and documentor, he has chronicled the Grateful Dead experience from a kaleidoscopic array of perspectives, as an insider, an outsider, and a songsmith. It’s a Hand-Me- Down sets some of the Dead tunes Gans most enjoys performing in a “solo electric” context closely modeled on his performance style, making extensive use of looping and electronics to bring the sort of shimmery elastic feel required to do this material justice.

“The idea was to make a record that sounds like my performances: guitar and vocal, with some additional layers of guitar made possible by the Boss RC-30 Loop Station which allows me to record the chord changes of a song so I can play a guitar solo on top of them. It also makes it possible to create multi-layered performances of composed and improvised music.” “Lazy River Road” and “Attics of My Life” are the simplest: one guitar, one voice. “Ship of Fools,” “Loser,” “Stagger Lee,” “Black Peter,” and “Brokedown Palace” feature guitar fills and solos over the chord changes, exactly as presented in his live show with the help of the looper (but for this project recorded in separate passes, to take advantage of the editing and mixing capabilities of multitrack recording). “Deal” is “realistic” until the end, when a third guitar joins in to spice up the coda. Some sections were edited to eliminate repetitive stretches of loop development. In “Wharf Rat,” this leads to a moment in which four guitars appear simultaneously, in four takes, initially expecting to use just one, but liking the intersection of all four.

For this collection, David has chosen songs whose lyrics and melodies he has explored deeply and inhabited in performance. “Songs I cover from the Dead or other artists tend to tell a piece of my own story. It might just be one line or part of a line in a song that resonates in my own little atomic structure, and I don’t always recognize the connection at first. But eventually I find the resonances. I do the songs that I feel are appropriate for me,” says Gans, “and I’ve adapted them to my own style. I’ve changed the key, changed the phrasing or the groove.”

Over the decades, the Grateful Dead have inspired a lot of cover bands, impersonators, and even re-enactors capable of recreating specific renditions in precise detail; Gans is doing something different. He has taken from the Dead their approach to music itself, making it live again but in a different realm–one populated by Gans’ own lyrical landscape– “taking it for a walk in the woods” (as Dead guitarist Bob Weir puts it), and making each performance fresh and unique.

Without any urge to duplicate, and no desire to be thought of as the “next Jerry”, Gans is mostly doing what he loves best: playing music and having a ball. “Playing this music is incredibly fun. I’ve always enjoyed getting together with people and jamming, and if you’re into it, this music is deeply enjoyable music to play.

You see and hear this in David’s approach to his own original material as well, and when he returns to these timeless gems from the Dead’s repertoire, the tradition winds on a sort of recursive, fractal, moebius-strip dimension; remaking the old and familiar into something new, fresh, and… familiar. It’s terrapins all the way down!

David brings a unique mix of experiences to this project. Most Deadheads first discovered Gans through his radio show or his writing, but music has always been central, the constant drumbeat organizing his many hats, with the Dead’s music specifically woven through much of it and mingling with his own.

None of this was planned. David never set out to become a professional Deadhead or a DJ. Another page he took from the Grateful Dead book was this model of improvising your own life, and staying open to a serendipitous build-up of events and circumstances that led David on his path.

This is also David’s way of celebrating the ever morphing and shifting cultural legacy of the Dead. Each generation experiences the music differently, but draws from the same cultural pool… telling and retelling of the stories, and David Gans is a master storyteller.
Pearly Baker's Best
Pearly Baker's Best
Pearly Baker’s Best is a Grateful Dead tribute with both a weekly residency and a devoted following at one of the top local venues in Syracuse, NY every Monday night. Playing the music of The Grateful Dead, The Jerry Garcia Band, The Beatles and other covers they delight their devout followers with a powerful show once a week out of the band’s current song list which tops 180 songs. The band’s strong improvisational foundation leads the way, allowing their sets to be visualized much like weaving a tapestry; each thread of verse, chorus or bridge is expertly weaved into the fabric of their sound and playing to be completely embraced by their audience. Also, careful attention is always given to ensuring that each song is treated with the necessary vocal ingredients to cause the listener to be drawn into the music at the deepest level. The band’s desire is to provide each audience member with a ‘Grateful Dead-like experience,’ allowing them to encounter the show as a translational, musical undertaking. Currently PBB can go 9 shows without repeating a song and is always adding to it's ever expanding catalog of 200 songs which includes original songs on occasion. The band does play shows in addition to their weekly residency in Syracuse, all across New York State. The band has begun to incorporate original music into their sets and recently had the privilege of sharing their stage with David Gans; long-time archivist for the Grateful Dead, broadcaster, song writer and music journalist. David expressed a strong desire to share the stage with Pearly Baker’s again in the near future. There is truly nothing like a Pearly Baker’s Best show.

“I had a wonderful time making music with Pearly Baker’s Best! These guys do Dead music the way it should be done: with great warmth and compassion. They welcomed me warmly onto their stage, and great things happened.” - David Gans (Musician and 30 year host of the nationally syndicated radio show The Grateful Dead Hour and co-host of Sirius-XM’s Grateful Dead Channel “Tales from the Golden Road”)

The members of the band are: Charley Orlando (guitar/vocals), Brian Lauri (keyboards/vocals), Eric Brown (lead guitar/vocals), Eric Wise (bass/vocals), Brian Welch (drums/vocals) and Tim Bergen (drums).
Venue Information:
Hawks & Reed Performing Arts Center
289 Main St
Greenfield, MA, 01301
https://www.hawksandreed.com/