Fri · February 23, 2018

Doors: 6:30 pm / Show: 7:00 pm (event ends at 12:00 am)

$20 advance / $25 day of show

Tickets at the Door

This will be a hefty dose of mid-winter medicine. An evening for folks to come out and play, enjoy the valley’s finest string music, arts, and in-house crafted heartwarming cocktails.


Artifact Cider Project will launch their newest cider, Wolf at the Door: "an unfiltered, bone dry, acid-forward cider made from tannic fruit that's not for the faint of heart."

John Sheldon
John Sheldon
John Sheldon, a master guitarist and transformational songwriter, is celebrating his 50th year of writing, composing and performing music. His constantly evolving, cannabis-inspired art layers music, sound, and storytelling to take listeners on journeys through life’s elemental forces, from the earth’s molten center, through the atmosphere, into space, and back. John combines his mastery with a wide range of guitar styles, from folk to classical to blues to Jimi Hendrix, with real-time voices for a unique world of music and feeling. He was Van Morrison’s lead guitarist at age 17, and his songs “September Grass” and “Bittersweet” were featured on James Taylor’s platinum albums “October Road” and “The Best of James Taylor.” Taylor calls him “an amazing songwriter” and a “phenomenon,” and Hendrix called him “a great player.” John has fronted his own bands and written hundreds of songs for film and theater as well as two popular autobiographical musical monologues, “The Red Guitar” and “Journey to Center of the Earth,” inspired by life-altering experiences with ayahuasca in the Amazon. John wrote “Wolf 06” as a memorial to the iconic Yellowstone alpha female shot and killed in 2012 and this year’s “The Same Water” in support of Standing Rock, where he delivered a winterized mobile hospital tent last Thanksgiving. Huffington Post says John has “an uncanny gift for conjuring the wild spirit,” and National Public Radio calls him “one of the great guitarists of our time.” Last summer, the Edinburgh Herald described his sold-out performance at the Edinburgh Fringe as “brilliantly observed, beautifully told!”
Mikey Sweet
Mikey Sweet
With a sound characterized by deft guitar picking and a raw, haunting voice, Northampton, MA-based singer-songwriter Mikey Sweet connects with listeners' hearts through the simple universal power of song. With a sound described as song-centric folk-Americana, Sweet writes in the tradition of American storytelling shaped by such legends as Prine, Towns Van Zandt and Springsteen. Revealing a vulnerability rarely seen on stage, Sweet weaves themes of hope and redemption through the apocalyptic backdrop of his songs like a silk thread, evoking an emotional intensity that cannot help but affect the listener.

Self-described as a "haunting fingerprint a young lost traveler of the American landscape," Sweet's personal history informs all of his song writing. His cryptic lyrics pay autobiographic homage to the duality between the freedom and the isolation inherent in the transient life (although none of these songs are about him, as he's known to say with a smirk). The confessional quality of Sweet's poetry brings fresh nuance to the ancient art of storytelling as the troubled troubadour conjures images of the less than romantic edge of the road dog life. Says Deb Hebert of Blue Bird Reviews, "Most compellingÅ[is Sweet's] skill for translating matters of the heart in such a way the lesson learned is universal, a trait that parallels some of our generations greatest storytellers in Springsteen, Hiatt and Browne."
Tracy Grammer
Tracy Grammer
TRACY GRAMMER rose to acclaim as half of the "postmodern, mythic American folk" duo, Dave Carter & Tracy Grammer. From 1998-2001, the duo released three internationally celebrated, folk chart-topping albums featuring Carter's mytho-poetic Americana songcraft and in 2002, toured with Joan Baez, both as featured artists and Baez's band members. Called “the new voice of modern folk music,” the duo was clearly in its ascendancy when in July 2002, Carter suffered a fatal heart attack while the duo was on tour. He was 49; Grammer, 34.

Determined to honor the duo's journey and bring Carter's songs, and those of other favorite writers, to broader audiences, Grammer has kept to the road, releasing solo albums as well as selections from the Dave Carter & Tracy Grammer archives. Her latest release, LITTLE BLUE EGG, is a collection of intimate recordings from the duo's home studios. LBE was the #1 most-played album on Folk Radio in 2012, and once again, the duo were the #1 most-played artists for the year.

Grammer has become one of folk music's most beloved artists. Renowned for her springwater-clear alto, perfectly intoned violin, and guitar playing that is by turns percussive and delicate, Grammer is also a masterful storyteller with an ease and charisma on stage -- not to mention a riotous sense of humor -- that hardly belie her modest beginnings as Carter's reclusive accompanist. Stories about the duo's first meeting, Carter's quirks and fancies, or Grammer's own misadventures and missteps are woven thoughtfully into the set list to create a uniquely personal evening that connects audiences to performer, to the Carter/Grammer legacy, and most importantly, to one another. Additionally, Grammer has begun down the songwriter's path as part of RealWomenRealSongs, and is sharing her fresh, fledgling efforts -- and the stories behind them -- on her current tour, to the delight of longtime fans.

As one fan put it, "With Tracy, it's never just about the music. It's a soul journey."

Grammer tours the United States and Canada regularly, and has traveled to Europe and Japan. She holds the record for the most consecutive appearances at the Falcon Ridge Folk Festival ~ a lucky 13. She performs in a variety of configurations -- solo, duo, trio, and full band -- with Jim Henry (Mary Chapin Carpenter, Burns Sisters, Susan Werner), Rob Schnell (Glim Dropper, Christine Havrilla), Tom Hampton (Marshall Tucker Band, Poco), and David Chalfant (Nields) rounding out her ensembles.

In addition to touring, Grammer is the director of the Dave Carter Legacy Project. Her publishing company, Tracy Grammer Music, administers licenses for Carter's catalog of music. She is working on a memoir about her time with Dave Carter. Tracy lives in Greenfield, Massachusetts with her beloved Miss Kitty.
Mamma's Marmalade
Mamma's Marmalade
Mamma's Marmalade has always brought a fresh vibrancy to old traditions. Since their formation in the spring of 2014, the Northampton, MA-based quintet has delved into the limitless capabilities of classic bluegrass instrumentation (banjo, fiddle, mandolin, guitar and bass) and explored the parallels of acoustic music, ranging from the blues to Old Time, from gypsy jazz to bluegrass. The authenticity of their music calls listeners back to a time when wooden instruments, analogue sound and sweet vocal harmonies captivated the hearts of America. With a deep respect for tradition, and an eye towards contemporary music, Mamma's Marmalade brings an exciting new energy to the enduring narrative of American folk music.

You may have seen one of their spirited performances on stages at The Fresh Grass Festival, Joe Val Festival, The Shea Theater and on many more stages throughout New York, New Hampshire, Vermont, Massachusetts and Maine. They have had the privilege of sharing bills with artists such as Jayme Stone and Fruition. They recently released their debut full length record, “Goodbye, Black Velvet” in June of 2017, followed by a successful release tour.
Eric Lee & Co.
Eric Lee & Co.
Raised in rural upstate New York, Eric Lee's earliest introductions to music were the sounds of his mother's piano and the songs of John Gorka, Bob Dylan, and Jackson Browne. He began studying classical violin and traditional Irish fiddle at the age of nine, and was soon performing and recording with local artists. After moving to Western Massachusetts' Pioneer Valley, he continued playing live and in studios, branching into psychedellic rock and bluegrass, playing in the pit orchestras of musicals, and writing his own songs and compositions.
In 2007, Lee attended the Falcon Ridge Folk Festival, where the newly-formed supergroup, The Strangelings (featuring musical legends Pete & Maura Kennedy, Christina Thompson, Rebecca Hall, Ken Anderson, and Cheryl Prashker,) spotted Eric and his fiddle and invited him to join them on an informal campground performance. That Saturday night, after two days into his first music festival, Eric Lee, (then eighteen), was playing on the main stage as the band's newest member.
With the conclusion of the Strangelings' two-year run, Eric became a member of the Falcon Ridge Folk Festival's House Band, a position formerly held by virtuosic violinists Tim Carbone (Railroad Earth) and Jake Armerding, playing alongside some of the most respected and gifted professionals in the folk community, and has since accompanied such iconic artists as John Gorka, Peter Rowan, Vance Gilbert, Dan Navarro, The Kennedys, Lucy Kaplansky, The Nields, Tracy Grammer, the Grand Slambovians, Tom Rush, and Eliza Gilkyson, among others. It is these landmark artists along with the works of the revered late song smith Dave Carter that inform and inspire Lee's own songwriting.
The music of Eric Lee is a chimera of genres and influences; an ever-evolving world of sonic exploration with stand-alone melodies always at it's core. His new EP traverses a range of emotion, from the unbridled joy of love in "Miles Above the Ground" to the wrenching pain of Eros in "To Write you a Song"; the unflattering honesty of coping with loss ("Life Without You") to the cosmic petition to the ancient powers in "Hands of Fortune."
In addition to performing as a solo artist (and on some occasions with a backing band), he continues to work as a session artist and sideman. He plans to record and release a full-length album in the near future.
Venue Information:
Hawks & Reed Performing Arts Center
289 Main St
Greenfield, MA, 01301